Writing Notes: Magic System

I know everyone sees Itto as Genshin's comedic relief, but I'm telling you all, Alhaitham is actually the funniest character in Genshin Impact.

According to the fandom, he's hot, he's famous, he's the one in charge of the house...

But according to the people of Sumeru? Dude became grand sage and not a single NPC around the city had a thing to say about that. Sachin's son got his ass beat and he didn't even know who Alhaitham was; it was just "some guy in green." People on the streets are said to not even notice Alhaitham, let alone be able to identify him by appearance. The only time we ever hear NPCs directly commenting on Alhaitham, it's Siraj's collective who hate Alhaitham's guts. Dori refuses to work with him. Random Eremites call him a lunatic within two minutes of meeting him.

Alhaitham's reputation in Sumeru is "Who? Ah, that guy? I heard he's weird," and then everyone moves on.

Meanwhile, Kaveh is literally famous enough to have an epithet ("the Light of Kshahrewar"), is the lead architect on entire city redesigns, and was trusted before Alhaitham's take over to do work on the Akademiya itself. He built the most famous landmark in the rainforest outside of the Divine Tree. He's well-known enough that people bank on his reputation to start scams; people send their children to take courses with him in the belief that it will bless them with successful future careers. He's known for philanthropic endeavors to help the poor and disadvantaged. He won the Interdarshan Championship. This is the Sumeru equivalent of winning an Olympic gold medal!!

Kaveh is the Taylor Swift to Alhaitham's Travis Kelce. They might have independent success, but in every measurement of public sentiment, Kaveh vastly outshines Alhaitham, and the fandom should really take a step back and think about how hilarious this makes everything about their situation in canon.

For the few in Sumeru who are actually paying attention, sure, Alhaitham is the (former) acting grand sage who makes a pretty penny and owns the house Kaveh lives in. For the average majority of Sumeru's citizens who are way more likely to know Kaveh? Alhaitham is literally just "that guy who is shacked up with the Light of Kshahrewar."

Kaveh's efforts to keep where he lives a secret just makes him come across like one of those reclusive types of artists who value their privacy. Half the public in Sumeru probably think he just prefers to keep himself and his lover out of the limelight. Kaveh was so busy pretending not to be poor, he forgot that every ounce of pretending he does just helps him keep his own celebrity status. The harder he attempts to act secretive about where he lives and with whom, the more it comes across as "Please respect this famous person's privacy and stop asking about the details of his relationship."

And Alhaitham, for whom being "that guy who is shacked up with the Light of Kshahrewar" is THE life goal? Everything is going according to keikaku. Kaveh has convinced the entirety of Sumeru that he and Alhaitham are in a relationship, all without Alhaitham having to lift a finger. The more determined Alhaitham gets to fly under the radar, the more it looks like he's Kaveh's kept man. If you aren't living with him because you're broke, then why are you living with him, Kaveh? There's simply no way for Alhaitham to lose.

It's just... so funny.

cant stop thinking about this video

Since Kaveh is the one taking the picture... does that mean that Alhaitham deliberately left some space empty next to him so Kaveh would sit there??

The most logical, and fastest, solution would be to have Kaveh sit at the end of the row, but he isn't. (Also we are absolutely going to think about how he is leaning into Alhaitham)

Worldbuilding and Magic Systems: Things to Consider

Have a magic system in mind for your fantasy world? Here's a list of things to consider to help you tie this system into the rest of your worldbuilding, so that it feels more believable and realistic.

Source

What is the source of magic? Is it natural or man-made? Can humans use magic or is it a force of nature that only animals or other races can use?

Does magic originate from inside a person or does it require external items to use? If it comes from items, can the items be made? How long does it take to make the items?

Does the magic cost anything- money, stamina, health, etc.?

Can a person be cut off from being able to use magic? If so, how?

Prevalence

How common is magic in your world? Is it so common that everyone has seen it or is it a subject of myths and rumors?

How long have the people in your world known about magic? Has it always been there or is it a new discovery?

How much does the average person know about magic? How much do experts know? What do people not understand about this magic? Are there any common misconceptions? Myths?

Is magic revered or feared? Or if it's common, is it taken for granted? Are there any taboos surrounding magic?

How many types of magic are there? Are some more common than others?

Are there dedicated schools of thought surrounding the study of magic? Is it taught about in schools? If so, is it taught to children or only at the college (or equivalent) level?

Accessibility

Who can use magic? Who can't? Is it something that only the rich and powerful can use? Why? Or do genetics determine who can use it? Wealth?

Are there any physical limitations that might restrict who can use magic? For instance, maybe old or sickly people can't use magic because it requires a lot of physical effort. Does your society provide accommodations for people who can't use magic? Is a lack of magic ability considered a disability?

Does education level determine capacity for magic?

How easy is it to gain access to magic? How easy is it to learn about magic?

Power/Usefulness

How powerful or useful is magic for different parts of society? Military? Medicine? Entertainment? Art? Childcare? Government? Communication? Business?

How does magic affect the politics of your world? How does it shape the economy? Are there feuds over the use of magic? Do powerful groups in your world have an incentive to limit the use and accessibility of magic? Why?

What happens when people no longer have access to magic? Does this cripple their ability to go through their daily lives? How?

Mix, match, and cross-reference these with other elements of your worldbuilding to form a believable magic system that lives and breaths just as the rest of your world does. For every answer you give to the questions above, consider and build upon the implications of what that might mean for your world. A worldbuilder's best skill is the ability to ask "How will this affect ___?" So make sure you're always considering the ripple effects of each element you add to your world.

Happy worldbuilding y'all!

On November 7, 2024, Denmark used a racist, culturally biased "parenting competency" test to remove a 2 hour old baby, Zammi, from her loving indigenous Greenlandic Inuit mother, Keira, because her native language, which uses minute facial expressions to communicate, will not be able to "[prepare] the child for the social expectations and codes that are necessary to navigate in Danish society." This test had been recommended not to be used at the federal level before this happened but certain municipalities, including the one this happened in, chose to continue to use it regardless. Not only is this blatantly racist but also violates multiple declarations and conventions that Denmark has signed that protect the rights of indigenous people.

Please sign this petition to help Keira to get her baby back.

Change.org

Bring a little girl inuk greenlander ZAMMI BACK HOME

Can you spare a minute to help this campaign?

self-proclaimed radical leftists: in the communist utopia that exists only in my head, everyone will work, by which i mean a full-time job in the post-industrial revolution sense. this is because work is obviously the only way one can contribute to society, and everyone who doesn't work is a parasite that will be eradicated in my Communist Utopia™. i don't even care about the products or purpose of people's labour because, as everyone knows, employment equals morality and so having a job is inherently virtuous and not having a job makes you a lazy leech who doesn't deserve to live. trust me, this is a very communist idea. i'm practically an expert because i read 1.5 tweets about marx.

what? omg why are you making this about disability, i was obviously talking about normal people 🙄 if you're disabled, you have an excuse to be a useless waste of resources who can't contribute anything 😊 in my ✨ Communist Utopia ✨, you don't have to work if you're not able to. don't worry, we'll have rigorous and dehumanising tests to determine if you're disabled enough or if you're just a lazy faker! this process is infallible and has no drawbacks whatsoever for disabled people. have you considered that maybe you're the real ableist for criticising me? 🤔 anyway, have i mentioned how much i love employment and also the taste of boot leather

“Of course autistic people can go to the bathroom by themselves and have jobs!!” Some can’t. They’re not burdens or an “epidemic” either. Please don’t get pulled into an argument about usefulness, because that feeds into their baseline eugenic idea that you have to “contribute to society” to justify your existence. Nobody’s worth is tied to what they can do for the state.

hello dark mode users :)

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🔭

Not my usual content, but I made something I wanted to share...

Edit: Now with an ID from @a-captions-blog! Thank you for writing it!

[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.

1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’

2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.

3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’

4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.

5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’

6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’

8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’

The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions

the fact that pro-monarchy arguments have degenerated, over the past few centuries, from “the king rules by divine right and is accountable to nobody but god”, to “uhm the royals generate a lot of income from tourism” will never stop being extremely funny to me