More Reasons Why The Characters Cannot Fix Everything With Magic

Writing Notes: Magic System

A Quick Guide to Crafting Your Own Magic System

The comforting tug of the familiar can often draw writers into the domain of tried-and-tested magic systems.

While there's a reason these archetypes endure, speculative fiction thrives on innovation.

So here are some guidelines and questions to ponder as you craft your unique magical framework:

Analyze Existing Systems: What makes them tick? Is it the laws, the setting, the cultural context? How can you take a known concept and turn it on its head? For instance, if elemental magic is overdone, what about a system based on abstract concepts like time, sound, or dreams?

Mix and Match: Combine disparate systems. Perhaps in your world, astrology-based magic is combined with bio-magic, where celestial signs grant specific biological enhancements.

Internal Consistency: Ensure that the rules of your magic system are internally consistent. If you're coming up with something new, like Brian McClellan with his “godglass,” consider the broader implications. How would such a system affect economics, politics, or social dynamics?

Ask 'What if?': Let your imagination roam by posing hypothetical questions. What if magic was a tangible, finite resource? Or perhaps it's a virus, and only those infected can wield its power?

Balance: Whichever route you choose, remember that each magical ability should come with its own set of limitations, costs, or ethical dilemmas. This not only adds depth but also avoids the pitfall of making your characters too powerful to face any real challenges.

Above all, let creativity be your guiding star.

Embrace the known, but never be afraid to venture into the uncharted, for therein lies the magic that readers will remember.

Source ⚜ Writing Notes & References

I love kids they’re all like.. “when i grow up i’m gonna be an astronaut and a chef and a doctor and an olympic swimmer” like that self confidence! That drive! That optimism! Where does it go

Developing Backstory: Bringing Characters to Life

1. Where It All Started: The Character’s Origin

Place of Birth: Where did your character first see the world? Think about the impact of this place—was it a busy city where they had to fight for attention or a quiet village where everyone knew everyone’s business? This location doesn’t just say where they’re from; it shapes how they see the world.

Family and Upbringing: What was their family like? Were their parents loving or distant? Maybe they were raised by someone other than their parents—a mentor, an older sibling, or even alone. Family (or the lack of it) is usually one of the most significant factors in shaping who someone becomes.

Society’s Expectations: What was expected of them when they were young? Possibly, they were born into wealth, with all the pressure to continue the family legacy, or maybe they were raised to be invisible in a world where survival mattered. How does this influence who they are now? Do they accept or reject those expectations?

2. Childhood Events That Left a Mark

First Taste of Conflict: Think about the first time the character realized the world wasn’t a perfect place. Maybe they witnessed violence or faced betrayal. What was that moment, and how did it stick with them? This moment usually lays the foundation for the character’s emotional landscape—fear, hope, ambition, or distrust all come from these early life lessons.

Childhood Dreams: When they were young, what did they want to be? Every child has dreams—did they want to be a knight, a scholar, or even just someone who could travel the world? Did they have to give up these dreams? How does that lost dream shape them now?

Formative Relationships: Who was their first best friend, mentor, or enemy? Childhood friendships and relationships often create deep bonds or wounds that last into adulthood. Did they have a mentor who taught them everything, only to betray them? Did they lose a childhood friend that still haunts them?

3. The Teen Years: Where They Start to Become Who They Are

Trials and Tribulations: What’s the biggest challenge they faced as they grew up? Was it losing a loved one, failing at something important, or maybe being forced into a role they didn’t want? These teenage years are where the emotional armor starts forming—how did the difficulties they faced shape them into the person they are now?

Education or Training: How did they learn what they know? Were they formally trained by an institution, learning everything by the book, or did they learn through experience, like a street-smart survivalist? What impact does their education or lack of it have on how they interact with others?

Teenage Bonds: Did they have a first love or a first major falling out with someone close to them? These experiences often create emotional scars or connections that they carry with them into adulthood. How does that past friendship or romance influence their behavior now?

4. Key Life Events: The Big Moments That Define Them

Trauma or Loss: Was there a moment that changed everything? Think about a significant loss—maybe a loved one, their home, or a sense of identity. How does this event affect their worldview? Do they build walls around themselves or dive into relationships with reckless abandon because they fear losing more?

Victory or Failure: Did they experience a moment of triumph or devastating defeat? Success and failure leave their marks. Were they celebrated as a hero once, leading them to overconfidence, or did they fail when everyone was counting on them, leading to crippling self-doubt?

Betrayal: Was there a betrayal that shaped their adult relationships? Whether it is a friend, family member, or lover, betrayal often changes how we trust others. Do they close themselves off, constantly expecting betrayal, or try to rebuild trust, afraid of being left alone again.

5. Where They Stand Now: The Present Moment

What Drives Them Today: What’s the one thing pushing them forward now? Is it revenge, the need to restore their family’s honor, or maybe even just survival? Whatever it is, this motivation should tie directly back to their experiences.

Emotional Baggage: What unresolved emotional wounds are they carrying? Everyone has scars from their past—some are visible, others not so much. How do these emotional wounds affect how they treat others, how they react to conflict, and how they move through the world.

Current Relationships: Who’s still in their life from their past, and how do they feel about it? Did they reconnect with someone they thought they’d lost, or are they haunted by unresolved issues with people from their past? Do they have any ongoing tensions or regrets tied to these people?

6. Tying Themes to Their Backstory

Cultural or Mythological Influence: How does their personal story tie into the larger world’s mythology or culture? Do they carry a family legacy, a curse, or a prophecy that hangs over them? How does this influence their interactions with others and their perception of themselves?

Recurring Symbols: Are there objects, dreams, or people that keep showing up in their life, symbolizing their journey? Perhaps a recurring nightmare haunts them, or they carry an object from their past that’s both a source of comfort and pain

7. Character Arc: The Journey from Past to Present

How Does Their Past Shape Their Growth?: Every character has emotional baggage that needs resolving. How does their backstory drive their arc? Do they need to forgive themselves, let go of the past, or accept who they’ve become to move forward?

Unanswered Questions from the Past: Are there any mysteries in their backstory they need to solve? Maybe they’re unaware of their true parentage, or maybe there’s a forgotten event from their childhood that will resurface and change everything.

I'm autistic and I currently feel like shit checklist

Hi there. Are you autistic? Do you currently feel like shit and don't know why? Try this checklist to see if you can Fix The Problem!

When was the last time you used the bathroom? If you answered "I don't know" or "at least 3 hours ago", go now!

Do you need a drink? Go get one if you don't have one in front of you.

When was the last time you ate? If you haven't eaten yet today, consider eating A Meal, or perhaps A Snack. Something is better than nothing, eat whatever you feel able to!

Is there something in your immediate surroundings that is bothering you? If the light is too bright, turn it off. If there is an annoying sound, make the sound stop or reduce your ability to hear it (earplugs, headphones, etc.). If your clothes are bothering you, change them.

Is your space messy? Pick one area of your room and clean it up as best you can. Clean your whole room if you have the energy!

When was the last time you did An Activity? Scrolling on social media doesn't count. Try actively doing something fun! Play a game you like, read a book, make something, or go for a walk.

When was the last time you Spoke to a Person? Consider talking to a person you like if it has been a while.

How long has it been since you did something Special Interest related? Make some time to do that today. Infodump to a friend, have a nice long research session, look at related images or gifs, make art about it, whatever works best for you!

Try stimming actively! Put on some music and dance, spin in circles, go to the park and use the swings!

If you still feel like shit after trying all of these things, you might be tired or sick. Go to bed early and get some rest. Hopefully you will feel better tomorrow!

Hope that helps :)

Questions to ask yourself when creating a magic system

I have more questions for you!!! :D

As there are no real-word examples for this one, I’m going to be talking a lot about my own magic systems, and those of the medias I enjoy! There will be a list of all the things I referenced at the bottom!

What does magic DO

Exactly the title. What does magic do? (Can it make potions? Cast spells? Animate things? Transfigure things? Create things? Kill things? Cast hexes or charms? Multiple of these?)

What does magic have an affect on? What does it not?

How strong is magic? What are its limits? How do these differ from person to person, or place to place? 

Does magic do different things for different people?

How does a magic caster’s intention for a ‘spell’ affect it? Is magic entirely reliant on a mental image of what is wanted, or does it need to be casted a certain way to work, like a recipe?

How is magic casted? (Note- I recommend being creative here! It doesn’t have to just be waving a wand. It can be through making pottery, it can be through sewing certain patterns, or dancing a certain dance, etc etc etc)

How can spells be used for something that is not their intended/common purpose? How are new uses of magic discovered? Which uses are most common, and why?

How does societal standards affect the use of magic? Will less people know about more harmful or taboo spells? Will it be less common for, say, a woman to use/be trained in magic?

Source of Magic 

Where does magic come from? (Do the gods give access to their most devout followers? Is it handed down in one’s blood? Does it come from the earth?)

Is magic learnt, or are people born with it? (E.g does magic work through potions that can be made by anyone with the right ingredients, or is it only possible if one has magic already in their blood?)

Can someone who logically shouldn’t know magic learn/possess it by alternate means? (E.g. Luz from The Owl House learning magic  via ‘glyphs’ despite not being a witch) how would people treat this? (Is it seen as ‘lesser’ or somehow not ‘real’ magic?)

Can magic be harnessed through a wand/staff/etc? Can it only function through this conduit, or can it be done without? How does magic function if it does not have the aforementioned conduit? (Is it harder to manage? Is it more dangerous? Is it simply lesser?) 

Another dot-point because the last one was far too long; how is the use of ‘magical aides’ (wands, etc) treated? (Is it seen as something only a child would use? Is it very common? Is not using one seen as dangerous and bad?) How does the function of magical aides affect this? (Note- a very good example of this is the string in A Marvellous Light, which functions via ensuring a magicians cradles [hand movements one does to cast a spell] are more precise. It is only used by those with little magic, so it is looked down upon.)

How would one learn magic? (Is magic taught in schools? Are there books on it?)

Can magic be done/enhanced if multiple people cast it together? How would this be done? 

Is magic a separate entity from it’s user? Is it an entity at all? Can it react without instruction/ disobey it’s user? Is it a possession of it’s user? Is this different/ perceived differently for different people?

Can magic be mistreated/ abused? (Note- here I do not mean an ‘abuse of power’ I mean abuse in the way one could abuse a pet) what are the consequences of this? (Might magic stop working, or turn on it’s user?)

Affect on Culture/the greater world

Who has magic? Who does not? Who knows about magic? Who does not? Is it a secret? How is this secret kept? Who enforces that it must be a secret? What is the punishment for letting the secret be known?

Can people have more or less magic? Can people have more or less knowledge on it, or skill with it? Does this cause any power imbalances or issues for either side? 

How do the uses of magic impact the way things are done? (E.g. if there is a spell used to dry things, people may not use drying racks.) would the skills of those with more magic be useful in a work setting? (E.g. if some people know the aforementioned drying spell and some do not, might those who do know it work as something close to a washerwoman because of their skill?)

Is magic regulated at all? Who regulates it, what are the regulations, how strict are they, and what are the punishments for breaking them?

Is magic seen as normal? (Keep in mind: if magic is possessed by a majority of people, it very well may be. Because of this, characters may be less likely to be impressed by magic. Think about how this will affect the language surrounding magic, and how people treat it.)

How will different people view or interact with magic? (E.g. a rebellious teen, a businessman and an elderly woman are not going to have the exact same view or uses of magic. Try to explore this!)

How will those with a great deal of magic view those without/ without a great amount, and vice versa? How does this affect the world and it’s prejudices?

Consequences

How can magic hurt a person if misused/overused/ used at all? (Is the damage physical, mental, physiological, all three?) (E.g. my own magic system causes people to actively unmake themselves as they use their magic, leading to sickness, insanity, derealisation, hallucinations, etc etc etc)

Is this damage known? How does the knowledge of it affect the treatment of magic? (Are people terrified of it? Do they not care, and see it as a worthy risk? What might lead  someone to push through the damage?)

How does this damage manifest, and how noticeable is it? (E.g. Are there physical scars or other warning signs, or is it entirely unnoticeable until it is too late, like magical rabies?)

Can damage from magic be reversed or healed? How? Can potential damage be avoided? How? 

Can one’s magic turn on oneself? How would this happen, and what are the consequences of this? 

Can magic be hurt/diminished? How does this affect its users? (E.g. silver and werewolves)

When an attempt at magic fails, how does it fail? Is it like baking, where at worst it’ll ‘taste good, but be a little dry’ or is it like mixing volatile chemicals, where at worst you die?

Appearance

How does magic look? (I highly recommend finding a metaphor or motif for magic, as this really helps flesh out its appearance and makes it easier to describe!!)

Can its appearance look different for different people? Can it change over time?

Does magic manifest itself via means other than visual? (One of my characters has very strong nature magic, and thus he grows flowers when he is happy, and always smells floral)

Does magic have a physical effect on it’s users? (E.g. the dark magic in The Dragon Prince)

Is one able to tell when magic has been cast upon something? 

Every piece of media I referenced in this, in order of appearance

The Owl House, a TV show on Disney written by Dana Terrace

A Marvellous Light, a novel written by Freya Marske (this series is a wonderful example of how to make a magic system. It is very well thought out, and the varied experiences and views of magic for each magician character is so, so good. 10/10. If you want a good example of magic please read this!!! (Granted I might be a little biased because I just love this book series))

The dragon prince, a TV show on Netflix

I'd there anything that you'd like a prosthetic limb to be able to do? Like something that's not on the market but you could slip on to accomplish a task and then easily remove before it gets cumbersome?

I'm sorry i sat on this ask for so long, it's been very difficult to write an answer to this question that i feel is both honest and useful, but here's my best attempt at answering with what i consider to be an okayish amount of context...

I'm assuming you're asking because this post of mine blew up and got a lot of attention, and it looks like you're a maker that's keen on designing things to help disabled people and that's great! there are a lot of areas where products just don't exist but are of great help or need to people, and filling that gap is really really great! lots of people have lots of different needs, and many disabilities and situations can be helped with technological solutions, much of which need more development, both professionally and more grass roots.

but when it comes to my situation, ie upper limb amputee, i cannot stress enough: the problem is not prosthetic technology, the problem is other people, and ableism.

what i want people to focus on is that i can do almost everything i need to for myself without a prosthesis, using just my elbow, my nub (the soft squishy end of my residual limb), and a taking my time. a bit more awkward, a bit slower, more trips to the fridge and back, but i can do it. the things that i can't do myself, I'm lucky enough to have people to help me and happy to do so.

but what people actually focus on is prostheses, people love prostheses... so let's talk prostheses!

I have a myoelectric prosthetic "hand" - a big robot gripper that i can control with intentional nerve signals picked up via electrodes inside the socket that sits over my forearm; telling it to open and close on command, and controlling how fast it does so. the initial reason i wanted one was for soldering, because electronics is an on and off hobby i wanted to continue. I'm sure you know that through-hole soldering is at least a three handed job even for the regularly limbed, so i thought i needed it for that at least, and figured it would be handy (hah) to just wear all day for any task i might want two hands for.

well, in the four years of training and rehab and practice since... I'm fairly confident i don't actually need it for soldering, let alone anything else. my elbow grip and dexterity is good enough i can easily hold and aim a spool of solder without my prosthesis. i sometimes put it on to take out the trash, but that's just a time saver, it takes less trips and is faster than slinging bags over my nub arm. it has a little led flashlight in it that's useful at night outside sometimes? and as alluded to in the original post, it's got a small tip that can press little buttons that my nub can't, and that's the role i most often reach for it to fill.

but myo prostheses are a hassle to put on, often taking several attempts to get positioning right, it's hot and sweatty, there can be pressure sores, and it's real heavy in a way your shoulder never really gets used to. these are not really technological issues that need more research or smarts to solve, they're pretty fundamental limits of trying to attach any kind of medical devices to the human body. if i really had any big necessary use case for absolutely needing two hands, I'd go back to physical therapy and re-train to use a body powered prosthesis; the ones that secure with nice soft leather straps and use your opposing shoulder to control hook grip with tension wires. technology that hasn't changed in several centuries because we kinda already perfected it... it's low tech, reliable, has built in proportional control and feedback, and never features in science fiction because it's just not cool enough.

so why do i still bother? why keep my prosthesis, maintain it, have the socket padded so it keeps fitting, continue the slightly painful muscle control exercises instead of letting them atrophy and the damn robot hand sit on the shelf forever?

the problem is other people, and ableism.

when I leave the house in my natural body, nub on display for all to see (under an arm warmer because perpetually cold stump is a problem seemingly every amputee has to deal with)...

people stare. they notice me from a distance, no matter what i wear, how i carry my body. but it's not just staring. it's glaring, it's disgust, it's fear, it's dehumanisation. i have people recoil in horror, cross the street to avoid me, pull their children close to their bodies as if they might start dropping limbs if they get too close. people have stopped me in the street, from behind, demanding to know "what happened", I've had to get off trams at random stops to escape little old ladies insisting i disclose my highly traumatic medical history and that I'm being rude and uncooperative for not "educating" them on "such a fascinating curiosity"... or best yet, the one all my wheelchair using friends know inside out: forceful unwelcome "help" from strangers without even a hello, yet alone an ask. i once had a man leap to his feet and begin thrusting his hands towards my crotch because i wedged a water bottle between my thighs to unscrew the cap and he decided i was clearly incapable of doing it myself... and this isn't even getting into the ways that medical professionals treat me differently.

i go outside in my natural body, and I'm treated as a freak.

you know what happens when i go out wearing my prosthesis? children smile, adults mind their own goddamned business, leave me alone, and at absolute worst I've had a total of two people in four years talk to me about it, politely introducing themselves before saying "that's neat, how does it work?"...

because fiction and futurism have given people so many deeply ingrained fundamental ideas about prostheses and amputation that I am treated more like a human being while wearing a bulky robot claw with electrodes pressed into my skin, than when i dare to exist as i now naturally am.

this is also borne out by the hundreds of notes on my original post declaring we need to invest more, research more, design more, so that prosthetic technology is better and "works" and is cooler... and literally nobody asking why a piece of technology was designed in such a way that i needed to use my nose, needed to hold two buttons down simultaneously half a meter apart that are barely fingertip sized, when either of them being a toggle would work - a firmware fix that would take 30 seconds to implement if anyone actually thought about the real technological needs of limb different people, instead of scifi fantasies about improving prosthetic technology until its "indistinguishable from the human body", as if that goal should be self evidently desirable.

the actual technological solution to this situation, by the way, is a bracelet with a chopstick glued to it.

so.

*deep breath*

I'm sorry this was long and angry, I hope you can sense that my anger isn't directed at you, the question asker, but broadly at everyone and the way society perceives amputees/limb different people... and I hope anyone who reblogged my original post also shares this, because damn did tumblr miss the point of it!

to finish off, I'll give you the snippy snarky bitch response i originally had in consideration, before I decided to spend several hours on paragraphs of furiously slow one-thumbed attempt at shifting my audience's perception of prostheses... because legit it's great that you want to know how things can be improved for disabled people through technology! it's just that in this one particular case...

if you want to design some technology that would be most helpful to me but is totally absent from the current market, I'd like a portable pocket sized device that projects a psionic field to make ableds mind their own fucking business and just treat me like a human being when i go outside :3

me rn

can I come over and not speak

cant stop thinking about this video

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Vetted by : @gazavetters

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