Ask the demons of Graffiti Kingdom, a 2004 (Japan) / 2005 (else) PS2 game. Ask them anything!
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Video of Tama
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THIS TOOK SO LONG TO FINISH
A bunch of prompts from @paintpanic's awful Kirby theories generator!
This bottom text is in loving memory of the 'Grill isn't real' and 'Queen Sectonia has been dead for years' prompts that I loved but had to scrap from this
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
The version in the boss arena is split into quarters, and its colors are instead achieved with lights and animated texture effects to get the “moving gradient” look it has in game.
Some of these lines are 100% unused, as the bosses having lines after you lost to them was something that happened in the Japanese version, but was removed from the English version.
And some others are used, but are apparently exceedingly rare to trigger, such as Medium’s “This is the end of the line for you!” quote, that I only know IS used because I’d heard it on ONE single Let’s Play, and nowhere else before or since.
….
Oh, uh… me.
I said that…
…Well, I’m sure the five other people that know about this game’s existence will appreciate the stuff I’m working on digging up! XD
Some idioms for fantasy races and classes shared by u/nagonjin on reddit. Follow her on instagram (@lyresforhire) for more D&D idioms.
My favorite one is the bard one “When I am song”
gameplay felt like
This should be reblogged by everyone. Even if you’re straight, you should be a supporter.
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
SOMEONE FINALLY SAID IT
thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes
reasons for this:
basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.
like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.
here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.
TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.
Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”
all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that
I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.
But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.
In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.
On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”
like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not
We stan!!!!
chaotic good
Abled Person: Hey man, can you hold this wad of $2,000 and this one penny for me while I open my wallet?
Disabled Person: YOU COMPLETE AND UTTER FOOL!
The United States Government:
(Watch how many people don’t get this.)
so can we start hunting down white liberals now or what
So many TV shows/movies depict the Epi Pen as a total solution for anaphylaxis...it's not. The Epi Pen gives you 30 minutes to get to a hospital where they can save your life. TV makes it look like you just have to use the Epi Pen and then the crisis is over. Do people without allergies or a loved one with allergies know that an Epi Pen only buys you time? The more I see this on TV the more I worry...
**Maybe you should reblog this because I'm actually worried that most people don't know.
Free Palestine. I want anyone who can to please boost this, at least reblog it. This was the best video I could find in English, the link she is referring to is this:
https://ausrelief.org/projects/palestine-gaza-crisis-appeal
I’m not sure why the link isn’t working but please copy the link and donate if you have the means to and keep Palestine in your minds and hearts.
Everyone needs to see this
I remember seeing them perform this live on my campus.. My jaw dropped within 10 seconds.
this is the best tik tok ive ever seen i love her so much
Of fucking course
What sick bastard doesn’t
Even when pharmacists do let people access contraception, whether emergency contraception or condoms or prescription birth control pills, the process isn’t always free of judgment. In a series of recent online discussions, people across the country have begun to share stories of the stigma they’ve experienced. As many have pointed out, this can be especially damaging to teens.
unrelated to last post but topical: as the child of lawyers, I got one thing drilled into me from age 10: don’t fucken talk to cops. never talk to cops.