I Agree With Your Points About How Suo And Sakura Fool Each Other Super Well! I Also Love How Differently

one thing i think is so Neat about atla is how all the main bender characters have an arc that corresponds to their "opposite" element. zuko's arc is about the capacity to change yourself and your worldview, and the culmination of his arc is learning a move inspired by waterbending. katara is all about passion and drive, wanting to become a great waterbender and fight for what she believes in, and over the course of the show she comes into her power. toph's arc involves getting free of her restrictive family and connecting with a community, and aang's arc is about learning to stand fast in his beliefs and confront difficult issues head-on. it's a beautiful bit of symmetry that reinforces the show's point about the illusion of separation

Sometimes I feel like us as the bat family fandom forget how starry eyed people get about Nightwing canonically.

Because with the exception of early era Tim most of the Batkids are like. lol that’s my loser older brother or some variation of yeah…he’s some guy I guess? He helps me with homework?

And Nightwing is the canonically a center of multiversal light.

When Heroes meet Nightwing they do the vigorous handshake and the “it’s an honor to meet you sir, I have heard so much about you oh my god”

There are so many character where they are literally shown giggling and kicking their feet whenever Nightwing talks to them.

Even the people who don’t have the celebrity level worship of him respect the hell out of him and call him as soon as they need help.

From raven to Starfire to Superman to Superboy to all or the flashes there is so much respect and awe given to this one dude.

And it is deserved

But imagine you are Damian Wayne and you’ve been working with what 90% of the people you’ve met (all bats) have been calling an embarrassment to your father’s legacy.

Your mother hates him and your Grandfather doesn’t feel that strongly about him.

The red hood calls him an embarrassment and a coward and he couldn’t even keep Red Robin from running away.

Your father tells him that he never should have been Batman

And you’ve worked with him and you know what you think everyone is full of shit about him and you and him the new Batman and Robin are the best no matter what anyone says.

And fuck it the fact he keeps going in a suit that everyone tells him he’s not good enough for is scratching something in your brain that you’re refusing to acknowledge because why would you feel that way? You are the circus freak have nothing in common (shut up)

And then you meet the justice league and all the extended teams.

And people are falling over themselves to listen to a word out of your brothers, your Batman’s mouth. They wait for a nod or headshake and dictate decades worth of planning on it.

Both Drake and Todd’s hero teams ask him for advice with or without their designated bats presence.

The man of steel asks for child rearing advice and wonder woman cracks a joke about a spar

Newer heroes whisper about him in the halls

He’s literally your favorite hero’s favorite hero

And it’s breaking Damian’s Brain

Because well… he kinda gets slapped around in Gotham. He’s the butt of half the jokes the other Batkids make and Dick just smiles and takes it.

The rogues have a bounty on nightwings ass and he gets leered at by goons, rogues, civilians and anti-hero’s alike and he doesn’t say anything.

He lets oracle crack jokes about a pretty face and having to do everything herself

Let’s Jason run the alley despite the fact that apparently he knows how to take it back

Apparently he’s had 12 people tailing Drake since Paris and despite being the man Ra’s Al Ghul calls detective has yet to notice. (Because you can’t tell me Dick was just magically at the right place to catch Tim falling to his death on coincidence)

And necessary to peace talks because he’s the best they have at deescalation

Like imagine you are a child who was raised to believe power is this obvious, all consuming thing. That the ones who control the board are visibly larger than life figures who fought their way to the top and cling to power by even the thinnest hangnail if they had to.

People who ignore simpler morals or an overall greater goal or good

And then you’re taken in by the man who whispers the correct answers into the larger than life figures ear.

Like I feel like that would have such an impact because Dick didn’t take power from anyone to reach his goals, it’s why his siblings don’t really defer to him unless in crisis.

Dick didn’t take power, no people just looked at him and decided he was the best option to give it to.

Everyone basically looked at this kid and went, yeah you’re the future of all heroism.

And if that dude can’t even get Bruce Wayne’s respect what chance does Damian Wayne have

Do you think Sakura will get power up ? Yk his fights conclusion against top tiers are so disappointing> his opponents gave up or his friends help him .... They call him plot armor fighter on TikTok 😕

I'm going to be so real with you- no, I don't think Sakura is going to get a power up. At least, not in the way most anime series do it. Not in the way that people engaging with Wind Breaker as a fighting anime are hoping he will. The points in the story where people are training to get stronger are montages, depicted to show how everyone's putting everything into becoming strong enough to protect what's important to them, it's not about leveling up their fighting style or coming up with the one big move that's going to win them their next battle. Wind Breaker's just not that show, and it never has been. Sakura's climatic fights are never actually about him being stronger than the other person. Imma pull out that Kotoha panel from the very beginning, especially since Kotoha and Umemiya are the characters through which the fundamental points of the show are given to us.

So let's talk about Sakura's "disappointing" climatic fights. Yes, Sakura doesn't actually win these. His opponents concede. Why? BECAUSE FIGHTING SAKURA HAS MADE THEM REALIZE SOMETHING ABOUT THEMSELVES THAT CHANGES IN THAT MOMENT, and thus they no longer see a reason to keep fighting Sakura. Let's start with the first one, Togame Jo (🥰💖✨💕✨ Let it be known I LOVE TOGAME'S CHARACTER SO MUCH). Why Togame throws his fight against Sakura is definitely the one that's easier to understand. Togame has been trying to desperately keep Shishitoren together despite the fact that their leader was shattering into pieces for so long. He was feeding the words that would keep people in the group despite Choji's cut-throat new policy of "If you are weak, if you lose a fight, you're out. You're worthless and an obstacle to my dream of being free and having fun." Up until Choji's breaking point, the little guy was Shishitoren's sun. He was this shining bright light that could put a smile on any of the guys' faces and spoke so easily and freely about how they were all in this race together to become stronger and they would be the freest people in the world. Togame didn't want Shishitoren to lose that, to lose that Choji, so he tried to take the fall. He was new to being included into people's social groups, he was never as outgoing or lively as Choji. He could be the bad guy. He was okay with that.

He had to convince himself he was okay with that, and tied (up his hair) himself to that vow that he wouldn't give up on the sun. Going so far as to put tinted glasses on to convince himself that the old Choji was still there..... somewhere. But what happens during his fight with Sakura? Togame realizes what he did was wrong, and things were never going to get better continuing they way they were. He shouldn't have let Choji change who he was, he shouldn't have let Choji change the rules of their race for power and freedom, he shouldn't have just bowed his head in order to stay by Choji's side.

But, if he what he was doing was wrong... If what he was doing was only letting Choji continue to suffer, feeling confused and alone, then... why were doing this stupid tournament fight against Furin? Why would he fight to help Choji have claim over both Shishitoren AND Furin? That wasn't going make Choji happier. And Choji realizing getting Furin didn't change anything would only make his mental state worse too.

Togame's heart wasn't in the fight. He didn't want to do all of this anymore. He was realizing everything they were doing was wrong, and more than anything else he was just. so. tired. Of pretending to be someone he wasn't. Of trying so hard to keep the broken shards who were once his friends together through lies and cruelty. So he throws the match. He lets Sakura land the punch and then says he gives up and can't move anymore. And what was it that made Togame realize all of this?

Sakura's declaration that he would never let others bend or change who he is at the top of his lungs. Of course, Sakura's words come from his past experiences and having people repeatedly tell him he should cover up who he was. That he should be ashamed of things that Sakura couldn't change about himself. But Sakura's words and refusal to waver or falter resonated with Togame. Yes, Umemiya laughed that Sakura thought what he meant by 'have a conversation with your fists' meant Sakura would hear words coming out of his punches. What DID happen during the fight though, was they both exchanged what their beliefs were, and Sakura called Togame the fuck out for lying to himself. That his actions wasn't what he was preaching. He was calling him out for being delusional about what his actions were going to achieve. If Togame wasn't struggling with his inner turmoil and was actually fighting with his whole heart, his whole BEING in the fight, could he have won? YEAH, PROBABLY. Sakura at this point was just some poor freshman kid who has picked fights with guys randomly on the streets for a good portion of his life. But Sakura puts all of who he is in a fight, at this point in the story Sakura fights because he thinks his life depends on it. He truly believes that fighting is the only way he can find anything of worth within himself. It would have been impossible for Togame to fight with that amount of will. And THAT'S why Sakura won.

Now, let's talk about Sakura's fight with Endo. Right off the bat, yes- other characters (including TOGAME HIMSELF) comment on how much Sakura has grown in such little time when they are watching him fight Endo. But listen, you're going to have to trust me when I say I don't think what's really being said here is that Sakura's PHYSICAL STRENGTH is so much greater. Why is Sakura leagues above where he was when he fought with Togame? Because at that point Sakura was still fighting for himself. In his fight against Endo? Sakura isn't fighting for himself. He couldn't give a SHIT about himself (Which- 😭). He's fighting because with every fiber in his being, he desperately wants to protect and keep Furin standing. Everything they've done for him; the kindness and care that they've extended to him. Everything Umemiya's gone through and fought for to make sure that his hometown could be a place where everyone can feel welcomed and laugh and eat in good company; to make sure no one feels like it's them alone against the whole world. Sakura would rather DIE than see that Furin get destroyed.

Just like Togame, Endo isn't necessarily fighting for himself either. He's fighting so Takiishi, the person he loves and worships the ground he walks on, can be happy. The difference here? Takiishi doesn't really give Endo the time of day. Now, I wouldn't go so far as to say Takiishi doesn't care about Endo at all, he calls Endo by his name too at the end of the war, but the fact that he did so STUNNED Endo. Because Endo himself didn't think Takiishi gave two shits about him. But Endo had decided he was okay with that. Convinced himself that that didn't matter. He didn't love Takiishi for being kind or friendly. He thought Takiishi covered in blood and looking beautiful when fighting was hot (and I think there was also a feeling of kinship from Endo in recognizing they both felt so different and couldn't connect with other people in the world)

Endo feels ALONE in his love, even if he's with Takiishi physically. Even if he goes everywhere Takiishi goes and gives the man his whole being. Endo doesn't have a place he feels he belongs because he doesn't think he has been let into Takiishi's world, and that's the only place he wants to be. The Furin of the past too was very likely people who felt alone in the world. So they lashed out, picked fights with everyone, because they had similar frustrations and perspectives to Sakura when he first arrived to Makochi. So why does Endo throw his fight against Sakura? Because Sakura (to Endo's frustration because he was so close to convincing Sakura to leave Furin if it meant he and Takiishi would also leave. Withdrawing all the other fighters in the town wouldn't stop Takiishi from getting that fight with Umemiya at that point) decided, no, he would rather die than leave this little family he's been welcomed into. For whatever reason, everyone else decided Sakura was worthy and deserved to be a part of their family. He would hurt them more by deciding to stop fighting and just agree to leave Furin than he would by losing his fight against Endo. So what change did Sakura make in Endo? Well there was the fact that the way Sakura was fighting reminded Endo of Takiishi. But.... -

So what is so vastly different about Sakura fighting here than all the times Endo has watched Takiishi fight? You can see what it is reflected in Endo's eye in the page above. Why is Sakura fighting different here than when he first showed up and started fighting Endo? Because he realized in talking with Endo that HE is the threat against Furin. Not Takiishi. I think a part of Sakura was stressed about the fact that Takiishi was fighting Umemiya already on the roof. Sakura didn't know that this whole "war" idea, threatening the civilians of Makochi, pulling in so many people to beat down Furin and the town, ALL OF IT wasn't even about a conflict of ideals of what Furin should be. It was because ENDO wanted Takiishi to be able to fight Umemiya. That's it. There was NO REASON TO EVEN INVOLVE ANYONE ELSE. People were getting hurt, LIVES WERE IN DANGER, all because Endo thought it would be fun to go about it this way. Fun to tear apart Umemiya's dream project (also because Endo fucking loathes Umemiya). My point is, Sakura sole attention, sole reason for standing on his two feet is to STOP ENDO. Everything else has faded away into the background for Sakura. It is the OPPOSITE of what Endo feels from Takiishi. Endo has never been on the receiving end of such intense emotion from someone. Hilariously enough? This means technically Sakura's emotions got through to Endo. In a... twisted way, but Endo is a twisted, fucked up guy.

To Endo the only way he was going to win this fight was either killing Sakura or convincing Sakura to come with him and Takiishi. So Endo could keep Sakura with him. But Sakura wasn't going to stop when he couldn't fight anymore. He wasn't going to accept his physical limit, and he wasn't going to leave to come back another day and give Endo another euphoria-inducing fight. Endo is physically stronger than Sakura. If Wind Breaker was just about whoever is physically stronger in a fight winning, then yes, Endo would have won. But Endo didn't want to kill Sakura, because that would probably mean never again feeling someone capable of eventually being his equal in fighting and also directing that level of intense attention on him again.

Endo fell in love with Sakura. It's different than his love for Takiishi, and it's still fucked up and twisted, but ENDO DIDN'T WANT TO KILL SAKURA! And Sakura was either going to take down Endo or die trying. He would have kept fighting Endo until it killed him. But also, thematically, Sakura's resolve (a resolve that is backed by so many people, a resolve that proves he is not alone in the world) was never going to lose to Endo, who felt alone. Who was fighting for something alone.

I don't need Sakura to get a power up and win his fights with his physical strength. The entire point of Sakura in these big fights is to have a conversation with these people. To make a connection with them. Because no one is undeserving of personal connections. It's why even though Sakura (rightfully) thinks Endo is insane, he's still willing to be a friend to Endo. If Endo doesn't have someone who'll eat a meal with him, and he wants to hang out with Sakura? Then yeah, Sakura is going to accept Endo for who he is and sure, visit the guy to grab lunch or something, whatever. Because Sakura is adopting Umemiya's resolve, his perspective, and puts importance in making sure everyone can laugh and have a good meal with good company.

I mean most wbk characters fight without the conversation and connection philosophy... Why is Sakura the only one who should win with that method not by feats. Doesn't they author love his mc to be the strongest and shine like the others? Sigh!

I would say a part of why there's more emphasis on it with Sakura than the other characters, is because Sakura's definitely positioned to be the person Umemiya thinks will take on his will and protect and care for the Furin he has created with the other upperclassmen.

This isn't to say that the other side character don't or are incapable of also understanding and applying Umemiya's philosophy in their fights, but Sakura mirrors so much of Umemiya. There are definitely a number of characters in Wind Breaker who came to Furin because they admire and want to also take on the mantle that Furin stands for. Others join Furin to rebel against what's trying to hold them down or oppressively change who they are; who won't accept certain aspects of who they are because of their own agendas or beliefs. But a number of these people aren't actually seeking to be The Top Dog. Not everyone who wants to fight to protect the town wants to be the person leading Furin. And there is a lot of potential dangers/issues with those who DO seek to be at the top, and have the power that comes with leadership. That's why so many Furin people, ESPECIALLY the upperclassmen, were wary of Sakura coming in and enrolling in Furin as someone from outside of town, even more so when he starts spouting that he wants to take the top spot.

Take Sugishita for example= The narrative even shines a light on the fact that shouldn't it be Sugishita who is shooting to become Furin's top spot when he's an upperclassman? Sugishita ABSOLUTELY hangs off of every word Umemiya says and admires what the guy stands for. But, Sugishita wants a low-key, peaceful life. He wants to be left alone and sleep most of the day. Sugishita struggles with connecting with his fellow classmates, let alone his opponents or those who stand against what Umemiya believes in. The upperclassmen adore and are rooting for Sugishita, but they know he wouldn't want to take Umemiya's spot.

Nirei too. Nirei is valued and supported by his classmtes. He deserves a place amidst their ranks because he has such drive and will to put everything he is into Furin's cause. But Nirei's not a leader. Not everyone is meant to be a leader. Nirei doesn't want to be a leader- he wants to be someone who lifts someone he finds worthy for that position (Sakura) TO the top spot. It's kind of hard to have a fight last long enough to be a conversation when when you don't know how to fight. He's learning how to fight (and doing an amazing job! I'm always so happy to see Nirei get a chance to show how far he's coming along in also holding his own in a fight!) but that's not going to be enough for Furin and Makochi when threats come knocking on their door.

To not just let emotions take over and instead make an effort to understand the other person- it's hard! It's not something that comes naturally to most people. But it surprisingly comes naturally to Sakura. Sakura is hungry for connections, he wants to understand people better because he assumed everyone was the same in the past and realized that that's not the case. And it definitely comes naturally to Umemiya. However, I wouldn't go so far as to say no one else fights with this philosophy in mind. The freshman characters are green newbies. They've got the spirit, they're putting their effort behind Umemiya and Sakura and all of what Furin stands for, but they're a little too inexperienced to actually internalize Umemiya's style. Who has had the experience and has been a part of Umemiya's fight to make his dream a reality? The four kings. Specifically, Tsubaki and Hiragi immediately come to mind so I'll talk about their fights/conversations!

Tsubaki rolls up to the fight against Gravel with a number of (anger-fueled) assumptions and very much acting out of his protectiveness of Shizuka.

Even still, Tsubaki wants their fight to be a dialogue. He's still applies Umemiya's philosophy in this fight, even after calling Suzuri his 'prey' and clearly being pissed off about Gravel trying to break down Suzuki and take her away from this life she's found with her sister Tsubaki and the guys of Roppo-Ichiza.

Tsubaki makes his stance known. That fighting to protect the things you love makes you stronger. It doesn't matter what it is- if it's important to you, if it makes you happy- then it is worth fighting for. Tsubaki doesn't get angry when Suzuri calls him insane when he says that loving makeup makes him stronger. He instead says 'okay let me prove it to you. Let me show you my strength' (my god I love the energy in the "Let me show you just what you're scoffing at" panel. Tsubaki you absolute ICON! Queen Shit!)

It's a push and pull; a back and forth between them as they fight. Tsubaki eventually says to Suzuri that 'Yes, of course I can't possibly understand the suffering and pain you've had to go through'. It's a hard thing to truly and fully understand another person. But that doesn't mean that a person isn't allowed to also feel in pain and having a hard time. Tsubaki doesn't know what it's like to have to struggle with starvation, and Suzuri doesn't know what it's like to have to choose between pretending to be someone you're not, to cover up your interest or risk being attacked and assaulted because other people want to decide for you how you should be and what you should like. You could say Suzuri has it worse than Tsubaki, but it doesn't mean Suzuri has the right to rip Suzuki from the happiness and family she has found.

Leading up where Tsubaki admits they made wrong assumptions about Suzuri and are sorry for doing so, but also calling out Suzuri on the irony that he says he has nothing- can't waste time or effort on anything that's not directly tied to food/survival- when clearly he also is fighting for his friends.

Now, as it was even said in the manga- Tsubaki and the Roppo-Ichiza can't fix all their problems. They can't make sure everyone has what they need. But, they can do everything that they can to help. It wasn't Tsubaki's physical strength that was important in this fight, but instead it was his kindness. That he wanted to know why Suzuri was doing all of this. He didn't attack Suzuri in a rage or tell Suzuri he had something he needed to learn from Tsubaki. Tsubaki ended this fight by saying "I see you're suffering and I want to know what I can do to help." THAT and fighting in order to stay true to himself and protect those he cares about, is what makes Tsubaki strong. That's why Tsubaki is one of Umemiya's four kings.

Next let's talk about Hiragi's fight with Banjo. Now, Hiragi was far more in a rage than Tsubaki. That much is clear. He is just as protective of Kaji and Tsubaki is of Suzuki, but lets his fury win more than Tsubaki does. This may also be because of the sadomasochistic person Banjo is versus Suzuri, who has a more compassionate core. Endo and Takiishi pissed the fuck out of Umemiya in this arc too. Anger takes over sometimes. That is also a part of being human. But, I would stand by that Hiragi STILL tries to see Banjo's perspective. The chapter where he starts fighting Banjo is still called a 'dance', just like when Tsubaki fought Suzuri. He doesn't treat Banjo in this fight the same way Suo does against Kanuma. He doesn't patronize, toy or make fun of Banjo. He gives Banjo an admission, what small understanding he has of Banjo's...insane perspective, that fighting can be thrilling. That you can be addicted to the adrenaline. He acknowledges that Banjo is right that when people are fighting, someone is going to get hurt. The FASCINATING thing is that Banjo also sees fighting as a way to connect with others. But Hiragi recognizes that Banjo doesn't.... realize that not everyone gets the same pleasure out of fighting and Banjo doesn't know when to STOP.

Hear me out- I think this is similar to Sakura telling Endo he'll visit him. I don't think Sakura likes Endo and I DEFINITELY know Hiragi doesn't like Banjo. But, Banjo feels connected to other through fighting. Hiragi is going a certain length to make sure Banjo doesn't feel isolated, while at the same time telling him to leave the other people at Furin THE FUCK ALONE (Especially not to go anywhere near Kaji again I'm sure). He tells Banjo directly to his face that Banjo disgusts him, but he doesn't tell Banjo not to seek making that connection with others. Not to seek that high. But because doesn't have self control, because Banjo can't even tell when he's going too far- Until Banjo can understand how other people feel he should find Hiragi to fight. Hiragi is saying he will do something that he dislikes for Banjo. Yes, it's for the sake of whoever else Banjo would pick a fight with instead, but it is still a promise of connection, it is still an exchange nonetheless.

I would say the author loves Sakura for the same reason why he has everyone else love Sakura. Because Sakura is an incredibly kind and compassionate person who wants to put his whole being into helping others. He wants to protect the people who extended kindness and acceptance to him. Sakura is a scared kid who comes from a past full of pain and rejection and isolation, and is taking those steps towards healing. He's getting close to becoming someone that Sakura himself can feel proud of. Someone who is not just strong physically, someone who doesn't even have to win every fight- he's fought so hard his whole life already. So long as he doesn't give up- neither on himself nor in protecting Furin- there is nothing more he needs to do. He can just be himself for the first time in his life and that will be enough. His strength comes from his heart, a heart that is already full of compassion and kindness. A heart that he already has. Physical strength is something he'll get with time and experience, but it is sticking to his heart that'll make him even stronger. A little sappy and cliché? Sure, but that doesn't necessarily make it a bad message or story to impart on the audience. I think Nii Satoru means for this to be a story about human connections, and personally values that more than the fights themselves.

But also. I think Sakura shines. You're welcome to your own opinion, but I personally think he looks pretty damn cool in his fights~

honestly ra's a ghul would stab someone if they called dick grayson "nice funny but he's like a himbo" bc he is not gonna accept being defeated by someone others call a himbo. like if someone defeated me yall better acknowledge that it takes SKILL to defeat me stfu i will not take this disrespect–

One of Dick's greatest strengths is his ability to manipulate every single person in existence.

Genuinely I think this makes him the smartest person in the room. Not only is he a brilliant detective, but the fact that he's able to outmaneuver and control virtually everyone including other geniuses and masterminds makes him the most terrifying. There's a reason why his enemies have give up using intelligence against him and simply resorting to brute force.

Now hold your horses before you bring your crowbars and let me explain.

Dick once said, "On an even playing field, I always win."

And it's true. But how do you even the field if your enemies are geniuses, detectives, or metas?

"Well, if you don't like how the table is it, turn over the table."

And that's exactly what Dick does.

Let's begin from his younger years. Dick is 19, newly out of Batman's wing and in no position to take on a skilled mercenary on by himself. But the mercenary isn't going to stop just because he says please. So.

DEATHSTROKE WAS CLEARLY NOT EXPECTING TO GET OUTPLAYED BY A 19 YEAR OLD.

"You're right Slade, he's not a fool so choose a dumber kidnapping victim next time."

Ofcourse this is the least of his abilities.

This cover is perfect because it shows how two of them are literally in a constant game of chess. And evidence of Dick's tactical expertise was never more obvious than the bombing of Bludhaven.

By all means Dick had won.

And he's right. Dick is incredibly intelligent, and he has to be given how he maneuvered the entirety of the world to save him city. Not just the heroes and villains, but everyone - the heroes, the villains, the government, the civilians, the organized crime - everyone. He ruled the freaking world at that moment.

@haroldhighballjordan actually made a post about this that explains this scene so well

But yeah Slade knew he lost so in his petty vengeance what he basically did was set the whole fucking chessboard on fire.

The perfection to which Dick had calculated and moved millions of people to force Slade into abandoning their game and leave him shrieking and seething in rage over his loss. Another reminder that this game only happened because Dick manipulated Rose away from her father, away from his control to a better life.

Spyral is one of my favorite comics because it shows just how good of a manipulator Dick Grayson is.

One of Dick's coldest traits is his ability to manipulate a situation to fit his needs.

In the beginning Dick wanted to calm the meta down and take him in but the second his opponent let out the slightest hint of weakness, look how fast he flips his words. This man is brilliant.

And his planning came to fruition as the meta wore himself out, allowing Dick to take control of the situation and the opponent with no harm to himself-a quick, two second exit. He can manipulate emotions, thoughts, and people to get what he wants like he's playing chess with a child.

But it's not just other people- he can completely change himself to become a whole new person. In the earlier chapters, Dick is learning how to shoot a gun for the agency.

Dick's a terrible shot. Not a single bullet lands in the center of the target-there's no way he's ever going to shoot well....or atleast that's what he wants you to think-

"Yeah, well, that's what spies do."

"We lie."

He's a puppet master and the final boss.

part 2

Aldo Bellini's cross: an analysis

As we know, each cross in Conclave has a unique design and meaning that reflects the character they're designed for.

The main symbol on Bellini's cross is the pelican. According to many ancient legends (pre dating Christianity) the pelican was believed to pierce its own breast with its beak to feed its offspring with its blood, so early Christians adopted it as a symbol of Jesus Christ sacrificing himself for mankind.

The most immediate explanation is that the pelican represents Bellini: he's the righteous cardinal who doesn't want the papacy, who sees it as a burden that will most likely destroy him, but who, at the same time, feels like he has to become Pope in order to prevent Tedesco from winning. In other words, he feels like he has to sacrifice himself in order to save the Church.

However, the quote engraved on the back of the cross reveals something more, something deeper. The quote comes from a hymn written by Thomas Aquinas in 1264, titled “Adoro te devote”.

Pie pellicane, Iesu Domine, / me immundum munda tuo sanguine.

Good pelican, Lord Jesus, / clean me, the unclean, with your blood.

It's a prayer TO the good pelican from the point of view of a sinner who feels unclean, impure.

And that's how Bellini constantly sees himself: as unworthy, as dirty. His whole character is built around this sense of shame, self loathing and self-doubt, which he must shoulder alone and which is at the centre of his (torturous?) relationship with God.

The quote is hidden on the back of the cross, it's private, it's for Bellini's eyes only, his shame is between himself and the Lord, the only one who can save him, who can clean him.

And of course you can read this however you like but it's definitely one more thing to be added to the list of gay undertones in Bellini's character.

One last thing (and this is probably my biggest reach but indulge me): I noticed that in the scene where Bellini finally admits his shame to Lawrence his cross is facing backwards.

This movie is so meticulous with its details and symbolism that I'm almost 100% sure that it was made (or left like that) on purpose.

In the scene Lawrence (and the audience with him) is finally given access to Bellini's inner turmoil. Bellini is baring those parts of himself he's so ashamed of to the person he cares about the most, so it's only fitting that his words and actions are accompanied by this subtle, yet powerful symbolism.

You know what? I'm crying.

I'm going to have a long post translated into English because I'm bad at English and because I have too many emotions. The fourth episode was definitely a bombshell. In many ways. They gave us a lot of interesting questions and NOT a SINGLE DAMN ANSWER, and it's not like it's a problem. It's cool that Ling Lin has finally begun to realize himself and his desires in isolation from the forced image. It's cool that he ran to save Moon and realized how important it was to him. It's cool that so many people supported him, he's a bunny/sunshine/bun/big guy (as you like it better) and all that. But...

They replaced Nice so quickly...

Okay, let's say again: it was literally publicly announced to the fans that their hero, the man they believed in all this time, was not only replaced by someone completely different, but also because he died. He is not tired, he has not resigned, he has not given up his heroic work, no. Died. And okay, thanks to Ling Lin for not talking about "suicide." He's talking about "death." You can take his words in any way you want (although that's not the point, but still). It just kills me to think that no one, except for the person who was really close to Nice (Wrek), began to grieve for him. Okay, it hasn't been a day since Lin Lin's revelation, I get it. But at the end of the fourth episode, we are shown how the advertisement with Nice's face changes to Linlin's face and no one seems to notice, as if it were....normal? Of course, when the heroes in the world are constantly changing each other and appear and disappear as if at the click of your fingers (yeah, yes, understood, understood at the click of your fingers ha ha) changing a hero at the tenth rank shouldn't be unusual, but... Do the previous heroes get forgotten so quickly?

The first three episodes were filled with the fans' love for Nice. Peculiar, but warm in its own way. They cheered for him, they came to fan meetings, they supported him as much as they could.....And they forgot about him so quickly? Just because.......and why, exactly?

I'm pretty sure they'll show us the backstory of what happened. There is no way such a complex and at the same time terribly interesting character could be so easily forgotten by its creators. Especially considering the shot that recently appeared on Twitter...

In general, the phenomenon of Nice's character and his popularity among the fandom is a topic for a separate conversation, we are not ready for this conversation yet.

But I know for sure that no matter how the creators made him, no matter how crazy, broken, abusive and generally unstable he actually is, I will be delighted.

(what's the point, I'll support him even if he decides to rise from the dead and kill all the other heroes)

((Go ahead, dear! You're walking the road of rage and revenge, and who are we to stop you?)) So! I'm leaving a small message here (rather for myself) because I know that we still have a lot of interesting things to learn about other characters and many of my thoughts will get lost in the flood of new information.

DON'T FORGET HIM.

Never forget that he existed. He was there. It all started with him. And probably it all will end with him.

Every Nightwing writer of the last fifteen years: I've taken the guy famous for being regarded as one of the most competent and capable nonsuperhuman heroes of his generation, literally legendary for being one of the only ones every single other hero would not only drop everything to go help but that also pretty much every hero would love to have on speed dial to get HIS help in most any situation ever, and I've either completely isolated him and estranged him from every single member of his family and community, or I've enmeshed him so thoroughly with his family and community to the extent that literally none of the stories in his solo title would be capable of existing without their presences, they're that fundamental to the arcs and more integral to the solutions than he is himself. But why stop there?

I've ALSO taken the guy famous for personally crafting his two most iconic superhero identities, Robin and Nightwing, with the first being made so fundamental and integral to the superhero landscape by him, it became one of the most iconic legacy mantles in the DC Universe. And the second being so larger than life and associated with safety and security and meaning so much to so many people that even complete strangers can not fathom a world without Nightwing anymore and rush to fill the void any time he's not around, the figure of Nightwing is considered that ESSENTIAL. And I've stripped him of his basic sense of identity and autonomy either as a literally faceless and nameless spy or a literally masked and nameless Talon or else taken away his memories or blah blah blah in myriad other ways made it impossible for him to BE the figure who famously turned his sense of identity into not one but two separate icons forever stamped onto the superhero landscape and leaving their marks in untold ways, because what is the guy famous for his sense of identity without....his sense of identity? Just a guy!

Haha! I've done it! I've deconstructed Dick Grayson!

Me: You literally the fuck have not. That is not how deconstruction works. NONE of this is how any of that works. You sound so dumb right now. What did you accomplish, what was any of it for. What insights did it deliver, what did it reveal that was previously unknown about Dick Grayson when he was in the costume or possessed of his usual skillsets that couldn't be known until all of that was stripped away from him? How was he changed by any of these experiences or was he just reset to his default mode at the end of each one and then shoehorned into the next contortion before any actual reflection upon or development from all the preceding events was made possible? What do we know about Dick Grayson, what is new about him, what essential Dick Grayson-isms have been woven into the character due to your work, or did you simply change the set dressings over and over while repeating the same beats and intoning, Huzzah, A Dramatic Transformation Happens Before Your Very Eyes!

Every Nightwing writer of the last fifteen years: No, see, I don't think you get it. My work was transformative. I proved that if you take away Dick Grayson's friends, his superhero speed dial, his memories, his acrobatics, his name, his agency, his literal everything that makes him who he is.....he's just some guy. All those things are what define him! That's who Dick Grayson is!

Me: Right. The friends and colleagues who would all drop everything to help him or pick him as their first choice to Phone A Friend when in crisis because....he's Dick Grayson. His memories of....being Dick Grayson. The acrobatics that are synonymous with....Dick Grayson. The agency that famously lets him rebuild a sense of self and formidable will no matter how many times he's been brainwashed or mentally fucked with because at his core, below the surface of all those manipulations he remains....Dick Grayson. His literal everything that made Robin and Nightwing who and what they came to be known for....because of what he, Dick Grayson, imbued those mantles with to make them iconic in the first place. Yup. You really nailed it. At the end of the day he really is....just some guy. Your insights are just stunning. Incomparable. The stuff of legends. Gosh we'll miss your work but it'll definitely forever be remembered in the Writing Hall Of Fame for being absolutely fundamental to the characterization of.....Just Some Guy, I guess?

Do you think Zoro has ever looked at Rayleigh and felt his insides freeze from fear? Do you think he sees a version of his own future where despite everything he’s tried, despite all the blood he’s shed and would go on to shed, his captain would still slip away from his hold — and he’d be left adrift for the rest of his days, drinking to oblivion, alone, bereft of any and all purpose?

Or do you think Zoro would be filled with contempt instead, and disgust at how the peerless Dark King failed to save his own captain’s life, even though it was no fault of his? Do you think Zoro, possessing the stubbornness and bravado of a much younger man, would insist that if it were him, nothing — absolutely no man or force in the universe — would be strong enough to rend him from Luffy’s side, and if Luffy had to die like Roger had to die, that Zoro would simply follow him to the afterlife?

Or do you think perhaps he’s unable to picture it at all — a life without Luffy’s warmth — so he ignores the many parallels between them and avoids contemplating the matter entirely? Perhaps he rather pities Rayleigh, because the former right hand man of the Pirate King should be free, but Rayleigh will never again know the meaning of the word, haunted as he is by a ghost he can’t bear to exorcise.