in akilah's vision: ben was the bridge — his death caused the scientists to find them.
and civilization was just a cliff away.
so judging by this string of too good to be true coincidences, unknowingly to them, their escape is literally moments away here beyond the point they are on. beyond that person.
there's also a huge location reveal in this scene where callie is searching up the disappearance of the researchers. it tells us that the "canadian rockies" they were going through was actually mount robson (a place that borders bc and alberta). it is the area that has the highest point in the rockies...
from a little research (as I'm not canadian, so please correct me if so!) — mount robson is a brand new popular spot for scientists in the 90s, as it became a new protected place (in the world heritage site) to study the landscape and many endangered species, so there was a lot of science activity around that time (the resources ben found in the cave were from an old research group) and full mapping needed to be done still.
mount robson's terrain also has many lime caves which generate "foul air" — inexperience cavers usually pass out from long exposure to it due to lack of oxygen as they don't understand the signs of deprivation (and toxicity potentially in the caves too...)
but most importantly, mount robson is also next a highway — a highway known as yellowhead.
and akilah sees something like a highway in the distance with all the lights...
(there's also a lake/parkland area named after yellowhead too...fucking hell it's all so connected).
also...
the fact they stayed for a second winter despite them having a map of how to navigate the wilderness too (which tai picks up and doesn't inform van...)
— and jeff revealing the rough distance from the location of the last recorded scientists' camp to the yellowjackets rescue site being 100 miles apart... oh lord.
they truly were closer to home than they thought.
that's what adds onto more of the horror now as the endgame unfolds.
and because we are entering the endgame with the possibility of escape... the threat that has been with us along has finally developed too — the wilderness — lottie matthews. who will actively seek to keep them here one way or another as shown by akilah's other vision.
the second winter didn't need to happen — the losses they went through should not have happened. what was an accidental unfortunate tragedy has transformed into something more darker, a different kind of tragedy now.
this is yet again yellowjackets double reality... what happened in one reality, didn't happen in the other. if certain decisions were not made, how different would everything be...
Natalie’s entire life was about giving everything she had to others and getting nothing in return.
She hiked for miles in subzero temperatures just to find something to hunt and feed the group, and instead of being met with gratitude, she was blamed when the food ran out.
She extended compassion and support to everyone else when they needed it (comforting Lottie in the middle of the night, holding Shauna’s hand and never leaving her side throughout her labor, understanding Travis’ grief when no one else would) and yet she is always completely alone in her own moments of suffering.
She took on the burden of leadership even while still reeling from the trauma of Javi’s death and the cabin fire, guiding the group out of one of their darkest times. She guided them in building shelter and creating a thriving community. And they repaid her by pushing her to the ground, calling her a murderer, stripping her of her leadership role, and forcing her to butcher the body of her only father figure— whom she had just killed out of mercy and necessity for the group, so that no one else would have to bear the burden of his blood on their hands.
She risked everything to carry out an elaborate plan to get everyone rescued—climbing a mountain, contacting help, ultimately saving all of their lives—and still, in the adult timeline, they treat her like she’s beneath them.
She literally died as a sacrifice so the rest of them could keep living and all she got was a 1 minute funeral.
nat being the one to find out abt misty destroying the 'transponder' is exactly how it was always going to go and i LOVE its where we ended up. its why adult nat is so cold and jaded and wary around adult misty, its why she knows inherently that misty cuts her battery cable, tampering w something again to be close to her. why nat is not completely surprised at misty spying on her in her hotel room with a camera. like sorry, since nat's s1 misty hallucination its always been them, intertwined in this resentful and twisted and devoted red string of fate they keep tugging and tugging on until misty eventually strangles her
these are all so good i’m throwing up
okay yes to the hc that ronan dreams flowers after romantic firsts with adam (a la rose petals on the bed after their first time), but also picture this: adam wakes up in the morning the day after they said (actually said it no tamquams here) they loved each other OR morning after jordeclan wedding/pynch proposal and the room is FULL of wildflowers. like it looks like they are in a meadow in cabeswater, just flowers EVERYWHERE and ronan wakes up to adam legit laughing his ass off. they both sneeze from the pollen (why is there dream pollen) and have to clean it up but adam doesn’t want to just throw them away so they spend the day pressing the flowers into books, drying them into bouquets, trying to plant them, giving them out in vases to friends, etc.
i want to talk about how crazy this line "brown like the gaze that sought jean out in every room" actually is. because what does this mean????
jean has noticed that whenever jeremy walks into a room he immediately does a scan to find jean. so what? these boys are so attuned to each other already that jean actually notices jeremy looking for him?
nora are you trying to say that there's a shift in jeremy once he finds jean in any given place?? does his body relax? do his eyes soften or shine a little brighter? you're telling me it's a physical visible thing that jeremy walks into a room and his first thought is "where is jean?" and then what?? when he finds him he goes "ah there he is" and there's a shift??? in him??? when he sees jean?? and jean can see that? he's aware of it?? he's noticed it?? it makes him feel safe enough to associate jeremy's searching brown eyes (searching for him. for Jean.) with everything else that brings him peace??? like are we hearing this???
or am i crazy? am i deluded?? am i losing my senses???
”wait- i die??”
van my love oh my god.
her entire existence really is media. it’s all a performance. shes watching her life through the television and reacting to the plot twists as an onlooker. and she dies at the end. the twist is that she dies at the end and now she’s watching herself die and fuck it’s just so real.
fucking hell
God, the little-kid panic-excitement of Van going “I’m gonna call my mom!” This woman we KNOW isn’t a present or really functional parent, but Van’s impulse is still to reach for her. Van, who has nearly died so many times, who is faced with a piece of tech that is designed to save her life. Who finds it broken. Who finds it just out of reach. You can keep going, but we’re gonna keep pulling that football before you can kick it. You must keep going, but the flames will just keep licking your heels. Of course she grows up fixing old tech. Of course she does. Of course she still dreams of flames. Of course she does.
fuuuuuuuu k
adam parrish looks different every time you see him. that’s partially demonstrated in the first chapters of cdth, but sometimes his hair is red. sometimes it’s a spunky strawberry blond, or a golden brown, or hay colored yellow. the skin under his eyes is so thin that it gets all purple and veiny, especially when he’s tired but that’s kind of always. sometimes his skin is a sickly sort of grayish yellow but others it’s a dusty tan, a product of working on his cars in the virginia sun. his clothes always seem to fit him differently, it’s the way they hang or perhaps the way he holds himself. every once in a while he has these scary, angry, blue eyes, an inherited gift from his father — but more often theyre the same muddy grey as the sky he looked up at, clouds rolling in overhead, from when he was young. he is stringy and small and six feet tall at the same time. unlike gansey, this has never been “all there is.” and it never will be.