Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy
I want you to remember:
The fascists hate you too and they just will pretend otherwise until after they've killed the rest of us, before they turn on you.
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone."
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics I
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
the fact that pro-monarchy arguments have degenerated, over the past few centuries, from “the king rules by divine right and is accountable to nobody but god”, to “uhm the royals generate a lot of income from tourism” will never stop being extremely funny to me
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
On November 7, 2024, Denmark used a racist, culturally biased "parenting competency" test to remove a 2 hour old baby, Zammi, from her loving indigenous Greenlandic Inuit mother, Keira, because her native language, which uses minute facial expressions to communicate, will not be able to "[prepare] the child for the social expectations and codes that are necessary to navigate in Danish society." This test had been recommended not to be used at the federal level before this happened but certain municipalities, including the one this happened in, chose to continue to use it regardless. Not only is this blatantly racist but also violates multiple declarations and conventions that Denmark has signed that protect the rights of indigenous people.
Please sign this petition to help Keira to get her baby back.
I'd there anything that you'd like a prosthetic limb to be able to do? Like something that's not on the market but you could slip on to accomplish a task and then easily remove before it gets cumbersome?
I'm sorry i sat on this ask for so long, it's been very difficult to write an answer to this question that i feel is both honest and useful, but here's my best attempt at answering with what i consider to be an okayish amount of context...
I'm assuming you're asking because this post of mine blew up and got a lot of attention, and it looks like you're a maker that's keen on designing things to help disabled people and that's great! there are a lot of areas where products just don't exist but are of great help or need to people, and filling that gap is really really great! lots of people have lots of different needs, and many disabilities and situations can be helped with technological solutions, much of which need more development, both professionally and more grass roots.
but when it comes to my situation, ie upper limb amputee, i cannot stress enough: the problem is not prosthetic technology, the problem is other people, and ableism.
what i want people to focus on is that i can do almost everything i need to for myself without a prosthesis, using just my elbow, my nub (the soft squishy end of my residual limb), and a taking my time. a bit more awkward, a bit slower, more trips to the fridge and back, but i can do it. the things that i can't do myself, I'm lucky enough to have people to help me and happy to do so.
but what people actually focus on is prostheses, people love prostheses... so let's talk prostheses!
I have a myoelectric prosthetic "hand" - a big robot gripper that i can control with intentional nerve signals picked up via electrodes inside the socket that sits over my forearm; telling it to open and close on command, and controlling how fast it does so. the initial reason i wanted one was for soldering, because electronics is an on and off hobby i wanted to continue. I'm sure you know that through-hole soldering is at least a three handed job even for the regularly limbed, so i thought i needed it for that at least, and figured it would be handy (hah) to just wear all day for any task i might want two hands for.
well, in the four years of training and rehab and practice since... I'm fairly confident i don't actually need it for soldering, let alone anything else. my elbow grip and dexterity is good enough i can easily hold and aim a spool of solder without my prosthesis. i sometimes put it on to take out the trash, but that's just a time saver, it takes less trips and is faster than slinging bags over my nub arm. it has a little led flashlight in it that's useful at night outside sometimes? and as alluded to in the original post, it's got a small tip that can press little buttons that my nub can't, and that's the role i most often reach for it to fill.
but myo prostheses are a hassle to put on, often taking several attempts to get positioning right, it's hot and sweatty, there can be pressure sores, and it's real heavy in a way your shoulder never really gets used to. these are not really technological issues that need more research or smarts to solve, they're pretty fundamental limits of trying to attach any kind of medical devices to the human body. if i really had any big necessary use case for absolutely needing two hands, I'd go back to physical therapy and re-train to use a body powered prosthesis; the ones that secure with nice soft leather straps and use your opposing shoulder to control hook grip with tension wires. technology that hasn't changed in several centuries because we kinda already perfected it... it's low tech, reliable, has built in proportional control and feedback, and never features in science fiction because it's just not cool enough.
so why do i still bother? why keep my prosthesis, maintain it, have the socket padded so it keeps fitting, continue the slightly painful muscle control exercises instead of letting them atrophy and the damn robot hand sit on the shelf forever?
the problem is other people, and ableism.
when I leave the house in my natural body, nub on display for all to see (under an arm warmer because perpetually cold stump is a problem seemingly every amputee has to deal with)...
people stare. they notice me from a distance, no matter what i wear, how i carry my body. but it's not just staring. it's glaring, it's disgust, it's fear, it's dehumanisation. i have people recoil in horror, cross the street to avoid me, pull their children close to their bodies as if they might start dropping limbs if they get too close. people have stopped me in the street, from behind, demanding to know "what happened", I've had to get off trams at random stops to escape little old ladies insisting i disclose my highly traumatic medical history and that I'm being rude and uncooperative for not "educating" them on "such a fascinating curiosity"... or best yet, the one all my wheelchair using friends know inside out: forceful unwelcome "help" from strangers without even a hello, yet alone an ask. i once had a man leap to his feet and begin thrusting his hands towards my crotch because i wedged a water bottle between my thighs to unscrew the cap and he decided i was clearly incapable of doing it myself... and this isn't even getting into the ways that medical professionals treat me differently.
i go outside in my natural body, and I'm treated as a freak.
you know what happens when i go out wearing my prosthesis? children smile, adults mind their own goddamned business, leave me alone, and at absolute worst I've had a total of two people in four years talk to me about it, politely introducing themselves before saying "that's neat, how does it work?"...
because fiction and futurism have given people so many deeply ingrained fundamental ideas about prostheses and amputation that I am treated more like a human being while wearing a bulky robot claw with electrodes pressed into my skin, than when i dare to exist as i now naturally am.
this is also borne out by the hundreds of notes on my original post declaring we need to invest more, research more, design more, so that prosthetic technology is better and "works" and is cooler... and literally nobody asking why a piece of technology was designed in such a way that i needed to use my nose, needed to hold two buttons down simultaneously half a meter apart that are barely fingertip sized, when either of them being a toggle would work - a firmware fix that would take 30 seconds to implement if anyone actually thought about the real technological needs of limb different people, instead of scifi fantasies about improving prosthetic technology until its "indistinguishable from the human body", as if that goal should be self evidently desirable.
the actual technological solution to this situation, by the way, is a bracelet with a chopstick glued to it.
so.
*deep breath*
I'm sorry this was long and angry, I hope you can sense that my anger isn't directed at you, the question asker, but broadly at everyone and the way society perceives amputees/limb different people... and I hope anyone who reblogged my original post also shares this, because damn did tumblr miss the point of it!
to finish off, I'll give you the snippy snarky bitch response i originally had in consideration, before I decided to spend several hours on paragraphs of furiously slow one-thumbed attempt at shifting my audience's perception of prostheses... because legit it's great that you want to know how things can be improved for disabled people through technology! it's just that in this one particular case...
if you want to design some technology that would be most helpful to me but is totally absent from the current market, I'd like a portable pocket sized device that projects a psionic field to make ableds mind their own fucking business and just treat me like a human being when i go outside :3
You ever think about the MOVE bombing and then think about the fact that so few US Americans even know that the MOVE bombing like. Happened.
Hi there. Are you autistic? Do you currently feel like shit and don't know why? Try this checklist to see if you can Fix The Problem!
When was the last time you used the bathroom? If you answered "I don't know" or "at least 3 hours ago", go now!
Do you need a drink? Go get one if you don't have one in front of you.
When was the last time you ate? If you haven't eaten yet today, consider eating A Meal, or perhaps A Snack. Something is better than nothing, eat whatever you feel able to!
Is there something in your immediate surroundings that is bothering you? If the light is too bright, turn it off. If there is an annoying sound, make the sound stop or reduce your ability to hear it (earplugs, headphones, etc.). If your clothes are bothering you, change them.
Is your space messy? Pick one area of your room and clean it up as best you can. Clean your whole room if you have the energy!
When was the last time you did An Activity? Scrolling on social media doesn't count. Try actively doing something fun! Play a game you like, read a book, make something, or go for a walk.
When was the last time you Spoke to a Person? Consider talking to a person you like if it has been a while.
How long has it been since you did something Special Interest related? Make some time to do that today. Infodump to a friend, have a nice long research session, look at related images or gifs, make art about it, whatever works best for you!
Try stimming actively! Put on some music and dance, spin in circles, go to the park and use the swings!
If you still feel like shit after trying all of these things, you might be tired or sick. Go to bed early and get some rest. Hopefully you will feel better tomorrow!
Hope that helps :)