In "what are little girls made of", Christine is certain she knows her fiancé, but Spock knows he's not talking to Jim immediately. While his memories are being transferred to the Jim-android, he repeats "mind your own business mr Spock, I'm sick of your half-breed interference, do you hear?" And when the android repeats that, that's all Spock needs to be certain he's not talking to jim.
Who wrote this script? It's too perfect to be an accident. They're in love your honor
Come with me down this rabbit hole if you will. The moment we the readers find out about how much Andrew cares is the moment he says "I hate you". Because of this one "throw away" line in the first book "I don't care about exy enough to hate it".
I personally think this is the exact moment HE relieved he was in love with Neil. Because he realized he does care, he cares so much it hurts. And he hates that, he hates his feelings, he hates the fact that Neil makes him feel- makes him care.
And so he hates Neil, because he loves him, because he wants him. Because he cares for him.
remember when Jim introduced Spock to his own parents lmao we stan a legend
unreal unearth has so many echoes of his debut album. "de selby pt 2" and "to be alone" in the desire to kill the lights and become one, "butchered tongue" and "foreigner's god" in the struggles of language, "first time" and a very early interview where he describes falling in love as a death. it's not a rehash - it feels like simply a returning, reflecting on those same themes (and on, perhaps, the same events that inspired them) through new eyes. as a long time fan, it feels like coming home
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rewatching where no man has gone before and it's wild how different spock's characterisation is in this versus the rest of the series. like i know logically (haha) that the episode was so early that the show and nimoy didn't really have a grasp on the character yet (made evident by the "one of my ancestors married a human woman" line), but it also strikes me that this is technically kirk's first episode in timeline (production) order, meaning jim and spock have barely started to get to know each other. it's obvious from the chess game that they're already very close and likely have been joined at the hip since their very first meeting, so i like to think that spock is almost, ya know, giddy at this point, adjusting to the comforting warmth and joy and security he feels just by being around jim all the time because it's all so new, because he's never had anything like this before. spock likes jim so much and so immediately and wants to get to know him better and feels safe enough around him to let jim get to know him better, too. the interaction at the end, "i felt for him, too" and "there might be some hope for you yet, mr. spock." followed by a very not-subtle, fond smile from our dear vulcan first officer, just stands out so much against the rest of the series. young spock and his brand new blossoming crush for his captain and he hasn't gotten to the point where he's afraid of those feelings yet, just basking in how nice it feels to have a proper friend. so damn cute. it fills me with butterflies.
Call OG Star Trek corny all you want. Because yeah. But it's also like-
"Here is a rock slug. It is literally different from Earth life on the molecular level. It is killing people. It's obviously played by a stagehand wearing a rug. Except it's not an it. It's a she. She's a mother, and she's lived here far longer than man has lived on her native planet. She lives alone with eggs that haven't hatched, which the miners thing are just worthless rocks. Her mission is one of love as well as vengeance. She feels anger and pain and joy. She doesn't have a voice but she can be felt. Through understanding her, both her species and mankind can benefit. Through understanding, we can achieve peace."
when hozier said “the likes of a darkness so deep that god at the start couldn’t bear” and when hozier said “i’d still know you not being shown you i only need the working of my hands” and when hozier said “some part of me must have died the first time that you called me baby” and when hozier said “i would still be surprised i could find you darling in any life” and when hozier said “heaven is not fit to house a love like you and i” and when hozier said “but if we fall i only pray don’t fall away from me” and when hozier said “you were steering my heart like a wheel in your hands and darling i haven’t felt it since then” and when hozier said “if there was anyone to ever get through this life with their heart still intact they didn’t do it right” and when hozier said “if i was a riptide i wouldn’t take you out” and when hozier said “darling there’s a part of me i’m afraid will always be trapped within an abstract from a moment of my life” and when hozier said “do you know i could break beneath the weight of the goodness love i still carry for you” and when hozier said “darkness always finds you either way it creeps into the corners as the moment fades” and when
I think the most endearing thing about Jean is that he just cares. So fucking much. Not to say that Neil doesn't but Neil had to learn to care and I think it's widely accepted that he cares about a select few people and cares about them fiercely; to the point of kill or be killed.
Jean though? He cares for almost everyone regardless of what they have done to him. He cared for Zane, the man who betrayed him in the most horrifying way for a number, for something Jean had no control over. He cared enough to save his life. He cared for Lucas who brought Jean's abuser right to his gate where he had believed himself to be safe. Not once did he lash out at him because he understood that his actions came from a desperation to know his brother again, the ache of having him near again but not having him at all. He cared for Cody, someone he doesn't even really know; cared enough to ensure they were safe and not being forced into something.
After being beaten down every day, holding on to life out of sheer desperation and perhaps a promise made to a once? friend, Jean still hasn't had his ability to care beaten out of him and it's such a beautiful miracle. He's a little like Andrew in this I think, in that he pretends so desperately to not care under the guise of barbed words and cold shoulders because that's a weakness, a chink in his already dented armour that the monsters can and will exploit with glee. He knows that yet he can't choke that tenderness out of himself.
But I can see a lot of life in youSo I'm gonna love you every day
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